“Truth, justice and the American way!” For decades this phrase
has been the hallmark of superhero movies, the driving ethos behind the
action-packed morality tales of good versus evil. Whether it’s the good natured
Superman, the grim and brooding Batman or the persecuted X-Men, the format behind
these movies remains the same. Family-friendly action and adventure with
clear-cut heroes triumphing over evil (and
acting as prolonged toy adverts to boot).
And then came Deadpool. An obscure, virtually unknown comic
book character, Deadpool exploded onto screens this year with a movie that
relished in breaking all the rules. Replacing the existing all-ages superhero
format with an R-Rated movie of ultra-violence, the kind of swearing that no
child should ever hear, and irreverent comedy that frequently breaks the Fourth
Wall (which is like me admitting that I’m
not a well-paid member of the T&S team, but actually a worker trapped in a
Southeast Asian social media blog-writing sweatshop).
How did audiences react to this massive change in the
superhero movie? They universally said “About damn time!” (not with their mouths but, y’know, with
their wallets). From a budget of just $58 million, Deadpool garnered a
worldwide opening of $264.9 million from 62 markets! It grossed more than
traditional movies from established superheroes like Batman, Iron Man and
Superman.
The world is ready to do things differently when it comes to
entertainment. It’s been thirty-eight years since the first Superman movie
arrived in cinemas (and even longer since
the superhero film serials of the 1940’s) so OF COURSE audiences are crying out for something different! Their
world is constantly changing, and to be effective we have to play differently
to how we did five or ten years ago.
If the mainstream is getting more tolerant of edginess and
conceptual storytelling, this can filter down to corporate videos. Our web
series “The New Guy” is a perfect example of this conceptual
storytelling. Presenting the client’s message with an ongoing story composed of
running jokes, antagonists, conflicts and mysteries. “The New Guy” has
strongly connected with its audience, racking up over half-a-million views for the first series alone.
Our web series ‘Lily’s World’ is another example of
presenting a bold new format for delivering the client’s information. It takes
risks with its tone and presentation, and those risks have paid off to the tune
of over 99,000 views for the series.
No, we’ll not be swearing or shooting people any time soon
in our work (at least not in front of the camera) but the principle remains. If
you are clever, challenging and different, you’ll connect more deeply with
clients than the more traditional or straightforward ways.
No comments:
Post a Comment