It’s a Volvo. A beautiful, fast, family car that simultaneously
ticks the boxes of ‘Staving Off That
Midlife Crisis’ and ‘Safe Enough For
The School Run’. It’s got a polished, white paint job that somehow remains
grime free. The Volvo cruises along the flat, rolling tarmac. No potholes or
red lights in sight, just the traffic-free open road stretched out towards a
stunning horizon.
Mom and Dad sit in the front, smiling and happy. Dad isn’t
angry at Mom for making him do all the driving while she naps the entire time.
Mom doesn’t have a splitting headache from the stereo playing the same twelve
children’s songs on a seemingly infinite loop. Neither of them is screaming and
spitting with rage at a useless GPS that keeps blurting out “Recalculating”
every eight minutes.
The two kids in the back are miraculously not fighting,
screaming or urinating. They’re just calm and chilled and enjoying each other’s
company. The simple act of being on a journey in this Volvo has brought the
family closer together. We don’t know where they’re going, but we know they’re
going there as a family. And it’s going to be a beautiful day.
Now imagine Volvo did something different with their advert. No
beautiful scenery, no happy family, no content life. Instead, imagine a
dissertation on the Volvo’s camshaft lobe separation. Imagine blueprints on its
direct injection technology. Imagine a three minute discussion about the exact
dimensions of the overhead cams. Imagine all that and then tell me how excited
you’d be about this Volvo.
If you’re leading with complexity, then you’re not making
people fall in love. And falling in love is the ballgame.
Forget the advert, now you’re in a bar. It’s a good vibe,
everyone’s enjoying themselves, and then you see the most amazing person you
have ever laid eyes on. You spot them from across the bar, hanging out with
their friends. You can see this person is beautiful and funny and cool and you
know right then and there that you have to talk to them.
In your mind you flash forward; you can see yourself being with
this person, you can see yourself making a commitment to this person, you can
see yourself buying furniture with this
person. This is real and it’s happening right now and you’ve got to make an
impression. You’ve got to make them love you.
So, of course, you walk up and hand them your resumé. It’s in a
nice little folder with tabs and everything. You take them through all the
details of your working life, you clearly outline all your accomplishments and
skills. Your successes, your failures and how you handled those failures. This
should do the trick, right? This resumé should make an impression? This should
make them fall in love, right? RIGHT?!
No, of course not. You go tell them a joke, tell them a story.
You try to make them laugh and relate to them. You try to find common ground
and shared experiences to bond over. Leading with complexity is the death of
love. The first thing you have to do is make an impression.
You need to make an impression on your client, relate to them,
make them fall in love. Ask yourself
“what problem am I solving?” Show them just how well you know their pain.
Show them just how well you understand their pain. Show them that, if they use
you, you can take that pain away.
In our hugely successful web series “The New Guy”, one of the
issues being addressed is cross-company, multi-platform collaboration. Rather
than emphasize the technological complexities involved, take a look at what
happens.
Who hasn’t struggled to download the PowerPoint in time for the
call? Who hasn’t been in conference calls that can’t even connect properly?
That’s immediately relatable. It makes an impression immediately.
And in this video for the “Lily’s
World” series (which has amassed over
99,000 combined views), the simplicity of a young girl’s point-of-view,
cuts through the complexities of entrenched and outdated systems.
In this
series of
videos, it’s Lily’s bitingly fresh perspective as an outsider
that highlights the inadequacies of old IT and communication infrastructure,
and exposes the mentality of “that’s just
how it’s done”. “Lily’s World” is a unique way of tackling the relatable
problems and issues the audience face every week, without getting mired in the
technical details.
Comedy can cut through all of the complexity and highlight the
benefit of whatever it is you’re selling. There is a time and a place for all
the specific details, but that comes after the romance. After they’ve fallen in
love with what you’re selling.
Video is the worst possible medium for leading with complexity.
All that is, is a brochure that moves. But video is hands down the best way to
tell a story, to make people laugh and to make an impression. It’s the best
possible way to make people fall in love.
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